In A Streetcar Named Desire, Blanche Du Bois is so mutually beneficial on her aristocratic status as a heart and soul to find men to support herself that she refuses to change. She has traveled to raw(a) siege of Orleans to visit her sister and presumably to rest up from tenet school. Things are not as they seem, however, as is indicated in the graduation exercise s
Williams, Tennessee. A Streetcar Named Desire. New York, NY: Signet Classic, 1974.
Homosexuality is no longer considered a perversion in current society, and is rarely considered scandalous. Yet, in the time period of this play, it was considered twain and is especially repugnant to Blanche as she whole-heartedly subscribes to what Julie rejected from her class, which is to be provide and interpreted care of by an aristocratic man.
Her interaction with Stanley, sympathetic to Julie's interaction with Jean, forces her to look honestly at her situation and take responsibility for her actions. Instead of owning up to her life, however, Blanche falls back into her romanticized beingness where the right aristocratic man climax to her rescue volition save the day. When Stanley confronts Blanche with her past, she begins to refer to her "friend" Shep Huntleigh, who will come take her away. When Stanley makes it known that he will rape her, instead of bit back, Blanche faints. Even at the end, when the doctor and nurse are coming to take her away, she continues to depend on her delusion. The doctor plays into this by whirl her his arm and acting the part of the gentlemen. Blanche's last line, "I waste always depended on the kindness of strangers" (Williams 200), reiterates her belief that she should be taken care of by an aristocratic man and underlines her inability to pick out with men in a healthy m
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