Hispanic Influences of culture in brazil

3). Thus, the culture of the spick-and-span kingdom soon became a mixture of Portuguese, Indian, and Afri bunghole influences.

Of all these, the Hispanic influence of the Portuguese has been the strongest. For example, the official language of brazil-nut tree straightaway is Portuguese. In this regard, it is interesting to note that the Portuguese spoken in Brazil differs slightly from that in the homeland, just as novel American English differs from that spoken in Great Britain (Thompson, 1988, p. 35). In addition to language, the Portuguese left a strong ethnical heritage through their introduction of the Roman Catholic religion. Today, approximately 90 percent of the Brazilian population remains Catholic (Nyrop, 1983, p. 139). Perhaps the strongest Portuguese influence on Brazilian culture, however, can be seen in the political and social institutions which were introduced by the Portuguese ruling class in compound eras (p. 3).

The origins of Brazilian literature and art can also be traced to the colonial period. As early as the sixteenth century, Portuguese writers in the Brazilian colonies provided the world with travel narratives and other(a) normals of literature. It has been noted that "the discipline and style of these works expressed the Portuguese spirit in their detailed description, taste for the picturesque, and lyric quality" (Nyrop, 1983, p. 13). In afterward centuries, prior to Brazil's independence from Portuguese rule in the 1800s, the influences of Hispanic culture con

tinued to be strong. In particular, styles of art and architecture in early Brazil were establish directly upon Portuguese models. In terms of architecture, for example, it has been noted that colonial Brazilian churches often made use of the baroque style of ornamentation and decoration which was popular in Portugal at the time (p. 13).

In the 1920s, Brazilian culture began to undergo a new development with the "Modernismo" movement in literature and art (Franco, 1967, p. 94). This meet for cultural rawism soon broke down into patriot and regionalist concerns. Regional artists tend to point toward the cultural diversity fashioning up the nation as a whole.

With nationalism, on the other hand, an attempt was made to create a unique, identifiable form of Brazilian culture which would be distinct from that of Portugal or each other nation. It has been noted that the concept of nationalism in modern Brazil was based on the idea of the nation universe a "product of the union of the New World with the erstwhile(a)" (Burns, 1980, p. 247). Nevertheless, at the same time, it can be seen that "the domination of the value of the Old World was explicit" (p. 247). Thus, even in the 20th century, the Hispanic influence of Portugal has continued to be strong in Brazilian culture. The various ethnic peoples making up Brazil bugger off all had a part to play in the development of the nation as a whole. Some things which atomic number 18 considered typically Brazilian today, such as the Carnival trip the light fantastic dance, are actually derived from the culture of Africa. However, throughout Brazil's history, the Hispanic influences have always played the strongest role. This assertion is supported by the accompaniment that the language, religion, society, and politics of modern Brazil are all grounded in Portuguese cultural values.

Franco, J. (1967). The modern cultur
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