Overcoming Prejudices and Self Acceptance-the Color Purple

Overcoming Prejudices for Self Acceptance Through tabu Alice walkers fable, The colouration Purple, the primary(prenominal) character, Celie, reveals al iodine of the hardships she has endured during her life. Celie confides in her younger sister, Nettie, and matinee idol to express the way she feels in certain situations. As the story progresses, Celie sluicetu all in ally finds her voice and breaks away from all the men who oppressed her during her life. For the duration of the novel, prejudice becomes a reoccurring theme. Not wholly does Celie struggle with the external prejudices of sexism and racialism, but she similarly struggles with the internal prejudices toward her self.By using Celies struggles as an caseful, Walker teaches the reader that one must defeat prejudices in order to accept themselves. Sexism becomes one of the main external struggles throughout the novel. With the utilize of the name Mr. __ for Celies husband, Albert, Walker shows the reader Celies working anger towards him. The use of this name suggests fearful effacement of an identity too knockout to reveal (Heglar). She begins to show bitterness when she says, I scurry bout, doing this, doing that. Mr. __ sit by the door gazing here and there (Walker 43). Celie takes the traditional roll of caring for the tolerate while Mr. _ sits by and tends to his own needs and not the needs of the family. Celies dis give care towards him grows throughout the novel as he becomes more selfish. Sexism occurs once once more with the use of sex roles in Harpo and Sofias relationship. Sofia represents a strong char who does not let men dominate her. She and Harpo struggle with these roles throughout the novel. Sophia takes on a more masculine roll and Celie describes their arguments as fighting like two mens (Walker 38). Harpo believes that he should hedge Sofia because she does not act like Celie in the sense that she does not give in to his every command.Finally, the use of gender force-out is passed brush up through the generations. Gerri Bates stated that The act of gender violence is almost handed down from father to son (97). When the conflicts amidst Sofia and Harpo begin, Mr. __ encourages Harpo to beat Sofia so that she will give in to his ways. He uses Celie as an example because she never fights back and remains very obedient. With the use of sexism throughout the novel, Walker shows the reader all of the struggles Celie faced during this measure period and how she overcame them. Racism also becomes a major external struggle during this novel.During this time period, sinlessnesss embodied the delineation of higher class citizens. Many of the women in this novel aspire to project like ovalbumin women in order to become more sophisticated. The white women of this time period wore an array of bright and vibrant colors that stood out from the rest. Celie describes the barrier between the races when she says, Us dress Squeak like she a white woman , only her clothes patch (Walker 95). This quotation depicts the difference between the races at the time, and how even though they tried to bring Squeak up in society, they couldnt quite reach that level because of their race.The role of racism occurs again when the mayors wife treats Sofias children like animals. period walking around town one day, the mayors wife approaches Sofia and her children and begins petting them like animals and saying and such strong white teef (Walker 87) she looks down on the family because of their race and treats them like animals. This again builds the wall between the races and shows that the white race believed that they were superior to the black race. The theme of racism contributes to the plot again with the roles of blacks and whites within society.When Sofia begins to work for the mayor and his wife, she is discriminated against solely for her race. This act is seen when she says, Have you even seen a white person and a colored sitting bo ldness by side in a car, when one of em isnt showing the other how to drive or clean it? (Walker 99). This quotation demonstrates the legal separation between the races during this time period. The mayors family continually expect her to accept according to their cultural representations of the black mother (Selzer). Whites and blacks could not create friendships and could not talk unless it was for business purposes.The roles of races play a major role in understanding the attitudes during this time period. With the understanding of the roles that the blacks and whites played in society, one derriere infer that Celie had to overcome more struggles than what she had originally dealt with in order to kick and become herself. In ultimately finding herself at the end of the novel, Celie had to overcome the internal prejudices against herself. With the use of Shug Avery in the novel, Walker displays the hardships Celie must face with her unseasoned found sexuality.Because this rel ationship uses different and new feelings it evokes so profound an sexy awakening that Celie believes she was still a virgin prior to it (Hankinson). When Celie begins to have feelings for Shug, they fount out innocent and then become more serious. She describes a iniquity that they spent together when she says, Me and Shug sound asleep. Her back to me, my arms round her piece of assnon (Walker 116). Celie begins to allow her feelings with Shug to become reality and shows that she does not have the shy nature that everyone thinks she does.Celie breaks out of her inner prejudices again when she confides in her sister, Nettie. Celie begins to yell at the dinner table one night when she could no longer take the literal abuse from Mr. __ and stated You took my sister Nettie away from me, I say. And she was the only person love me in the world (Walker 202). Celie believed that she could only confide in Nettie and God during difficult times, but she began to move in that all of h er friendships would help her out in the end to become a strong, independent woman.Lastly, the growth of Celie throughout the novel is shown through all of the women that help her along the journey in worthy herself. Although Celie tries to discover herself, Shug Avery and Sophia Butler provide the major alternative influences that allow Celie to grow and develop (Heglar). All of the female relationships throughout the novel help Celie to realize that women do not need men to control their lives. She also realizes that women can become self-sufficient and brave without the help from other people.With help from all the women in the novel, Celie discovers herself and comes to realize that the support of a man is not prerequisite in the journey to happiness. By using Celies difficulties as a model, Alice Walker teaches the reader that self acceptance comes over time and that one must overcome prejudices in order to find themselves. During the course of the novel, Celie struggles with twain internal and external prejudices. In the end she conquers them all and becomes the person that she rightfully wants to be. She realizes this when she says I am so happy. I got love, I got work, I got money, friends and time (Walker 218).Walker teaches the reader that no matter what other people think, what truly matters is the bag within and being able to handle ones self in the worst of situations. Works Cited Bates, Gerri. Alice Walker A Critical Companion. Westport, computed axial tomography Greenwood Press 2005. Print. Hankinson, Stacie Lynn. From Monotheism to Pantheism Liberation from Patriarchy in Alice Walkers The Color Purple. Midwest Quarterly. 38. 3. Gale, 2003. Literary pick Center. Web. 1 Feb. 2011. Heglar, Charles J. Named and Nameless Alice Walkers Pattern of Surnames in The Color Purple. ANQ 13. 1 (Winter 2000) 38-41. Rpt. in Contemporary Literary Criticism. Ed. Janet Witalec. Vol. 167. Detroit Gale, 2003. Literature mental imagery Center. Web. 1 Feb. 2 011. inchell, Donna Haisty. Alice Walker. New York Twayne Publishers, 1992. Print. Selzer, Linda. Race and Domesticity in The Color Purple. African American Review 29. 1 (Spring 1995) 67-82. Rpt. in Contemporary Literary Criticism. Ed. Janet Witalec. Vol. 167. Detroit Gale, 2003. Literature Resource Center. Web. 1 Feb. 2011. Walker, Alice. The Color Purple. Harcourt, Inc. 2003. Print.