Dyes are absorbed into the very fibres of textiles, ensuring a lots longer life time than paints and pigments which are applied to the get along of a textile and are therefore vulnerable to bust and tear. At its most basic, tinting is a shape in which yarn or fabric is immersed in a solution produced by boiling up selected raw materials or dyestuffs. In origin these may be animal (murex quiver for purple), vegetable (onion skins for yellow), and mineral (iron oxide for red).
During this essay I am waiver to take an in-depth look into the traditional craft of hand discolour, the incompatible techniques of resist dyeing and the history of where they originated. I testament as well as compare how the different techniques vary from country to country. I will then research examples of traditional dye techniques use inside the modern fashion industry, and analyse how these techniques are utilized and whether they return a place in the industry. This research will be obtained by looking at relevant designers such as Shabd, Yohji Yamamoto and Burberry, and giving my own analytical approach to their different uses of dye techniques and whether I think they are successful or not.
Dyeing can be seen as one of the early conventional crafts dating back to the time of the Neolithic Man. The practice of dyeing came before the understanding of spinning and weaving and was mostly used by primitive people to stain themselves or the skins they were wearing. The earliest documented use of dye to colour fabric was lay out in Egyptian tombs.
Hand dyeing was first popularised in the Mediterranean from around 1000BC, it was the Phoenicians of Crete who first embraced the craft and would use chiefly vegetable dyes or dyes derived from small creatures. Of the vegetable dyes; orchil, safflower, gallnuts and madder infrastructure were most popular and of the small creatures; cocous (a grub found in the bark of an ilex...If you want to get a full essay, read it on our website: Ordercustompaper.com
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