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pleasance Boothe
Rasmussen College
Authors Note
This research is being submitted on July 14, 2012 for Marek McKenna, MAG380/AMH3304 Section 05 Visions of America Since 1945 - Summer 2012 at Rasmussen College by Joy Boothe.
Module 02 Course Project - Popular Music and pagan Impact
This is a very interesting essay for me to write. When hip cut came out in the late 1970s, about 1977, I was unaccompanied 14 years old, a teenager. It was nighthing unfermented for my friends and I to get word to and veritable(a) though we comparabled Disco music, we could relate to the new music coming out and we just swallowed it up like there was no tomorrow.
I bought the an album called The Sugarhill Gang inaugurated the explanation of recorded whang with their single Rappers Delight, a multi-platinum-seller and radio take up in 1979, the group was cooked up to cash in on a supposed novelty item. Music industry producer and label owner Sylvia Robinson had become aware of the massive hip-hop block parties occurring around the New York area during that time and it had its fetch in New York City.
Most of the music talked about how we dated, danced to unlike beats, and we just had fun enjoying them rhyming and making us trick too their lyrics.
They also had contest on who could rhyme the best.
I was someone who had first hand with this new music. I was natural in Brooklyn, New York, and moved to Queens, New York when I was 7 years old. My parents were from Jamaica, WI so I also get wind to their music which was reggae.
Me and brother who is two years younger than me, went to the school resort area after 8 pm and that is where they would have parties for the teens to enjoy. Also you had basement parties. There were not a lot of places that you could get to listen to this kind of music because Disco was the hot thing and even Soul Train refuse to play this music.
Here is some information on how hip hop got its fountain:
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