In other Poe tales, we often find the theme of revenge. unmatched of the best of these is The Cask of Amontillado. In this work, the hated adversary of the narrator is lured to his death by the promise of his favorite wine. Poe's works often included details of his own life. In this recital of a pompous, adversary who the narrator entombs in a wine cellar, connoisseur Kenneth Silverman (1991) maintains Poe was literarily working his revenge on a hated critic of his works, calling the story "a mediation on the art of passion and revenge?Scotch John Allen much resembled Fortunato in being a ?rich, respected, admired, beloved,'?interested in wines, and a part of the masons" (316-317).
The sensory world fascinated Poe, with many of his narrators often otiose to observe between figments of the imagination and reality. Such a date often causes anxiety and distortion in the minds of Poe's narrator. The entire disruption of The Fall of the House of Usher is preoccupied by the narrator's efforts to justify in his mind what his sensory organs impl
Split personality, the over-analytical mind, and inability to discern imagining from reality argon often characteristic of Poe's narrators. Poe's narrators often consume alcohol or other drugs, a factor that often complicates their ability to discern imagination from reality. In The Tell-Tale Heart, Poe's narrator imagines he hears a all of a sudden man's heart beating so loud it nearly drives him insane.
In The Black Cat, the narrator's intoxication coupled with his superstitious reading of different signs, causes him to inadvertently reveal the murder of his wife to police. Often ghost with their imaginings, Womack (2004) argues that in The Black Cat it is difficult to know if alcoholism or superstition plays a larger role in the narrator's downfall, "By using three main events in the story (that apparition of the first cat upon the burned wall, the appearance of the gallows-like rule upon the chest of the second cat, and the discovery of the second cat groundwork the cellar wall), a convincing case can be presented for bother sides" (5).
Poe, E. A. (1962). Selected Stories and Poems. New York, NY: Doubleday & Co., Inc.
If there is conflict within the mind of Poe's narrators, it typically centers around internal impulses working against external expression. In Amontillado, the narrator fights himself to keep his hatred and animosity toward Fortunato concealed. In The Black Cat, the narrator fights hard to keep his rage from being expressed, further his alcohol abuse undermines this struggle. Eventually, the narrator's fragile defense mechanisms will get going him, and he impulsively kills his cat and his wife. As Piacentino (1998) argues, the story "? caper
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