The process was svelte over the next several years by variant inventors and researchers, and soon photography had been married with the process of graphic excogitation and printing through photoengraving, which allowed the easy reproduction and wide spreading of the photographic image as well as of other(a) artwork. Inventors were only one group making use of the young medium:
Photography was also an important documentary and communication theory tool in the exploration of the western territories as settlers move into these new(a) regions. Indeed, the documentary nature of photography would be a major journalistic and historical tool from this time on.
The photograph San Dunes near Sand Springs is an example of how the settlement of the west was depict by photographers such as Timothy H. O'Sullivan, who here shows a wagon isolated by the space of the sand dunes to bring on a symbol of the lonely journeys taken over commodious distances by the settlers.
The photographs of Man Ray were directly influenced by the modernism of Marcel Duchamp and Dada. Ray used scientific techniques such as solarization to produce a heightened reality, as in dormancy Woman (1929), using the technique not only as a visual method but as a means of plumbing the psychic experience of the photograph. Ray called his prints rayographs, and they were produced in complex ways with a variety of techniques to produce distortion, tot up textures, and so on. Ray's work Gun with Alphabet Squares (1924) is another rayograph with double exposures and a shifting light source that transform the photographic record of the gun and stencil letters into a new order of visual form.
Photography had been invented as a means to document reality with greater accuracy than painting; in the twentieth century, painting pulled photography into its new realm of abstraction and design.
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