Essay on Relationships in Antony and Cleopatra -- Antony Cleopatra Ess

Destructive Power Relationships in Antony and Cleopatra Antony and Cleopatras whop is not really well-nigh love at all. Their interaction support only be considered a select of immature lust- position blood. Their relationship is shallow, self-centered, positive and destructive. Their attraction for each other centers around infatuation and a sort of egoistic rush that they ar more important than the world. Just as a man or woman of today may blast to control the desires of his or her intended, Cleopatra wants to manipulate Antony into wanting her Cleopatra. See where he is, whos with him, what he doesI did not send you if you find him sad,Say I am dancing if in mirth, reportThat I am sudden sick. Quick, and return. Romeo and Juliets relationship was sweet and beyond life. Cleopatra and Antonys relationship is a very worldly nonpareil (we do not even know if Cleopatra applied the asp because she wanted to be with Antony in conclusion or if she simply could not wrack being left with Caesar in life). G.W. Knight of the Aesthetic school of critics says of Cleopatra that she is a metaphysical, not moral, good--a good of totality. She is good in the same large modal value one might say life is good, or the universe is good, not because it contains no suffering or bad times, exclusively because from restropect even these experiences are worth having. Her perfection flowers from totality, not exclusion. You end up liking Cleopatra in this solve because she is so robust and sensual and unpredicable and capable of so mevery a(prenominal) strong emotions. Here she bursts out at the messager after he report that Antony had married Cleopatra. What say you? Hence,Horrible villain or Ill spurn thine eyeballLike balls before me Ill ... ...and the first stoneDrop in my screw as it determines, soDissolve my life the next Caesarion smiteboulder clay by degreees the memory of my womb,Together with my brave Egyptians all,By the discandying of this pelleted storm cunning graveless, till the flies and gnats of NileHave buried them for prey The hand of death hath raught him. . . . let Patient Octavia plough thy visage upWith her prepard nails. . . . subscribe to our bowls once moreLets mock the midnight bell. A 1759 quote about a performance of this play stated that it did not seem to nominate ye Audience any great pleasure or draw any applause. I can imagine that. It is not one of the best of Shakespeares plays, but it does give you a fair share of history, tragedy, and poetry. I think this play would be perfect for a more modern reinterpretation analyzing destructive power relationships.