Wednesday, February 13, 2019

Mikhail Bulgakov’s novel The Master and Margarita Essay -- Literary A

The vast interpretations and multiple meanings that lie within Mikhail Bulgakovs novel The Master and Margarita cannot be limited or reduced to comely a singular point or explanation. It would be ludicrous for oneness to simply classify Bulgakovs report as just a religious, ethical, social or political tract because the enforcement of only one of these points of depend would hinder the readers insight into the depth of the entire novel. However, it is realizable to be able to grasp the many themes and meanings of The Master and Margarita by the trial run of one of the novels central characters, this character is give in both narratives of the novel and his name is Woland or, as he is also known, the devil. Woland is the near important character in the novel because he entices the people of Moscow, whether they compliments to or not and whether they ar conscious of it or not, to rebel against the site of which they are accustomed too and to gain a new found sense of libe ration. Colin Wright, in his work Mikhail Bulgakov Life and Interpretations, writes, And here we find the diagnose to the whole book for, as we have seen, it is the individual non-conformists who are Bulgakovs heroes, those who rebel whether against God or man (270). It is understandable that Bulgakov, having written this work in an oppressive surrounding that limited what he could and could not write, creates a hero who is in fact a rebel and other characters that are rebellious against those who stifle aesthetic freedom. In Vladimir Tumanovs essay, Diabolus ex Machina Bulgakovs Modernist Devil, the author writes, In this respect the modernist qualities of Bulgakovs novel acquire a new dimension because Master i Margarita becomes a kind of artistic devil, fulfilli... ...ivision of humanity into good and evil is no longer useful and the superiority of the need for retribution is the goal (362). With Woland, Bulgakov sends the message that humanity falls into a grey area and that one needs to show compassion to their bronco buster human beings instead of always seeking vengeance.Works CitedBulgakov, Mikhail. The Master and Margarita. capital of the United Kingdom Picador, 1997.Franklin, Simon. Introduction. The Master and Margarita. By Mikhail Bulgakov. 1992. Great Britain Everymans Library, 1992.Proffer, Ellendea. Bulgakov the Magician. Afterward. The Master and Margarita. By Mikhail Bulgakov. 1995. capital of the United Kingdom Picador, 1997.Tumanov, Vladimir. Diabolus ex Machina Bulgakovs Modernist Devil. Vol. 35. Scando-Slavica, 1989.Wright, Colin. Mikhail Bulgakov Life and Interpretations. Canada University of Toronto Press, 1978.

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