Response to O Br different Where Art Thou
        A wonderfully told tale of the indicate for a non-existent treasure taken by three get away convicts who are hopelessly lead by Ulysses Everett McGill (George Clooney) defines the widely distributed eyepatch of O buddy Where Art Thou. Told by the Coen comrades who have written other big screen hits such as The Big Lebowsky and insufferable Cruelty. The Coens have created an adventurous roller coaster ride of events. O Brother is also subtly yet loosely based upon Homers The Odyssey.
        O Brother was based during times of the Depression in the 1930s. This was the platform upon which the Coen brothers created rattling stylized characters of the south who essentially reflect a genuinely broad stereotype. Everything from their physical attributes to speech impediments and right d feature to a limp from the war helps to bring the characters to life with the slack-jawed-yokel mentality with which these characters were brightly portrayed. This appeals to a mass audience who doesnt necessarily have to own a history degree to get a general idea of what is going on and what is going to happen with these types of characters in this setting.
        O Brother Where Art Thou has few weaknesses which can be pointed out only by the most hawkeyed and critical viewer.
My wrangle with the story is its lack of completion in every reach with the different characters they meet along their journey. For example, Big Dan Teague could have been explored a bit more in depth in articulate to more directly relate him to the Cyclops of Homers Odyssey. Instead of plentiful us a bit more insight to the storylines congener to each of these characters, the viewer is somewhat dragged along a serial publication of events with each character then swept away to another...
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