Friday, April 5, 2013

Close to Eden

At the beginning of the film, the audiences are impressed the vast and green prairie. This embellish is a big image some nature that population could not figure correctly. Different people will prevail different viewpoint about their landscape.

The main character in this film?Gombo, a Mongolian man--inherits manners from his ancestors although he lives in China. Based on his culture, he conceives landscape as his house, his family, and his cattle.

Gombo lived and fulfil with his look until he met Sergei?a Russian road builder. The companionship helps Gombo to recognize there is a new landscape after-school(prenominal) his own landscape. He wants to explore it curiously.

There is interference betwixt two different cultures?the Western culture with the representation of Seiger and the east culture with the representation of Gombo. Although they have different viewpoint about life, two men became good friends and respected with each other.

I like the two different images in this film?a span of an eagle above a vast meadow as an image of freedom in the natural life and a beautiful provideary in a confine as an image of dependence in the civilized life.

When Gombo got in touch with the civilized life, he was confused. After that he proverb the reflection of his people?s history through the TV screen. This detail confirms that landscape is the reflection of human?s thoughts.

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At the end of the film, I like the image about the direct where Gombo marked his urga in the past now becomes a chimney of a factory where his fourth son works. It is the hereditary pattern and development of outlook on life from a times to another generation.

In short, through landscape humans can identify their national identity and culture plays key grapheme in the definition of landscape. Humans use landscape as a value and trophy in order to surmount nature.

Bibliography:Mikhalov, Nikita. Close to Eden. France/Soviet Union, 1991.

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