Throughout 1966 and 1967, the Anti-War movement became an amazingly important concern for the political system of America. More powerful politicians gave support to the protesters and eventually resulted in the movement gaining momentum on the West Coast through and through the efforts of musical groups. These musical groups and icons were seen as prophets by the youth in America at the time.
These musical prophets took form in the likes of such icons as Jimi Hendrix, Bob Dylan, John Lennon, etc. These icons addressed their interview as members of the counter-culture they belonged to and helped them to believe that their counter-culture dreams had gotten them to a point in which they were today a separate alternate society which could be harmonise the way they wanted and could oppose authority within a group of likeminded individuals. The music expressed both aspirations for a best(p) world and united all those who shared the same flavor towards the war in Vietnam and the current political system in the United States.
During the 60s, the music had played such a utilisation in identifying such social problems as alienation, war, racism and early(a) forms of social oppression that it was literally seen as a effort force for the youths active protesting lifestyle. Bands played to huge crowds to address such issues, and no event could have been as impacting and hugely motivational as the Woodstock Festival, which took place in the outskirts of New York City during the weekend of August 15-18, 1969. It was seen as the culmination of over a hug drug of questioning authority and revolutionary happenings in the world. On a dairy farm in Bethel, New York, over 500,000 people gathered to watch and listen to some of the most influential and revolutionary artists in the entire world, including Janis Joplin, The Grateful Dead, Creedence Clearwater Revival, The Who, and Jimi Hendrix,...If you want to jump a full essay, order it on our website: Ordercustompaper.com
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